Alfred Hitchcock’s 1954 masterpiece of moral, psychological and existential conflict, tension and resolution culminates in an affirmation of art, unity and romantic love.
I should be used to it by now, but your insights into "Rear Window" leave me awestruck. Not that I agree with you, but because I had no idea. It has been a long, long time since I saw "Rear Window", but my memory of it is one of several Hitchcock thrillers that are always good and interesting, but not terribly philosophical or having much more than surface entertainment value. It appears I am seriously wrong about that, and I am going to see if I can find it to watch it again tonight. Thank you, once again, for your deep analysis of something that can bring much more value to my life.
I should be used to it by now, but your insights into "Rear Window" leave me awestruck. Not that I agree with you, but because I had no idea. It has been a long, long time since I saw "Rear Window", but my memory of it is one of several Hitchcock thrillers that are always good and interesting, but not terribly philosophical or having much more than surface entertainment value. It appears I am seriously wrong about that, and I am going to see if I can find it to watch it again tonight. Thank you, once again, for your deep analysis of something that can bring much more value to my life.
Thanks, Russ. This is music to my ears.